Girlhood
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$45.00 - Regular price
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For me, Girlhood is the album I wanted and needed to hear when I was younger,” Brisbane-based, alt-country singer-songwriter Hayley Marsten says of her eagerly anticipated second album. “Everything from the songs down to the way the album looks was really inspired by who I so badly wanted to be when I was a teenager and I’m really proud of what I made for that younger self.
Although Hayley admits her debut record Spectacular Heartbreak (2019) – a self-described “breakup album” – was “very vulnerable”, Girlhood delves even deeper. “I honestly feel like going to therapy really informed a lot of the songs on this record,” she reveals. “I was doing a lot of reflection on who I was, and the way that I treat myself. I think Girlhood is my entire personality and all the things that – had I listened to it when I was 15 – would’ve made me think, ‘Wow, what a cool album!’ Even the cover art is pink and purple and glittery!”
Hayley’s “very autobiographical” Girlhood album most closely represents where she’s at right now, both as an artist and a person: sometimes sassy, always heartfelt. And something tells us Baby Hayley would wholeheartedly approve of Girlhood, which is, unquestionably, her adult counterpart’s most honest and accomplished set of songs to date.
About the artist
Hayley Marsten
If HAIM & Shania Twain got together to make music, their sonic sister would be Hayley Marsten. Her sophomore release, Girlhood, glittered into the world in June 2023. As described by Apple Music ‘her darkly dramatic country anthems bear rousing traces of 1970s rock’, Girlhood is a triumph.
Her sharp pen and open heart led to the creation of her stellar debut, ‘Spectacular Heartbreak’ in 2019. The album was crowdfunded, nominated for Alt-Country Album of the Year at the Golden Guitars, Country Work of the Year at the Queensland Music Awards in 2020 and was streamed over half a million times.
3 years on from her debut, Hayley has signed with Cheatin Hearts Records, graced the stage of CMC Rocks, toured nationally with headline shows and supported industry stalwarts like Fanny Lumsden. As described by Marsten ‘Girlhood is an album for my younger self’, but it most closely represents where she’s at right now, both as an artist and a person: sometimes sassy, always heartfelt. And something tells us Baby Hayley would wholeheartedly approve of Girlhood, which is, unquestionably, her adult counterpart’s most honest and accomplished set of songs to date.